{"id":24239,"date":"2025-01-17T11:15:50","date_gmt":"2025-01-17T11:15:50","guid":{"rendered":"https:\/\/fovarosikeptar.hu\/?page_id=24239"},"modified":"2025-01-20T16:53:36","modified_gmt":"2025-01-20T16:53:36","slug":"storage-break-3-on-several-strands","status":"publish","type":"page","link":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/","title":{"rendered":"Storage Break! 3. \u2013 On Several Strands"},"content":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”23961″ img_size=”medium” alignment=”right” qode_css_animation=”” el_class=”nagyitas”][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n

On Several Strands. Textile works from K\u00e1d\u00e1r era<\/h2>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”25″][vc_column_text]<\/p>\n

25 October 2024 \u2013 31 March 2025<\/p>\n

Curator: Enik\u0151 R\u00f3ka<\/p>\n

Consultant Curator: G\u00e1l Csaba<\/p>\n

Location: Location: BTM Museum Kiscell, 1037 Budapest, Kiscelli utca 108.<\/p>\n

Opening hours: Tuesday\u2013Sunday 10 am\u20136 pm<\/p>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”25″][vc_separator type=”transparent” up=”20″ down=”25″]TICKET<\/a>[vc_separator type=”transparent” up=”20″ down=”25″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][vc_column_text]This is the third exhibition of the Municipal Gallery\u2019s Storage Break series. The aim of the series is to highlight and present the work of women artists. On the two previous occasions, a wide selection of pieces was exhibited, mostly by unknown or forgotten women. This time, however, we chose only five textile artworks recovered while we were reviewing our collection, and attempted to uncover the historical, political, artistic and institutional contexts of these pieces. The exhibition can be read in two ways: starting from here and moving backwards in time or starting from the Oratory and following the chronology. Both approaches weave the narrative into a dense tapestry of several strands.[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_single_image image=”23976″ img_size=”full” add_caption=”yes” qode_css_animation=””][vc_column_text]<\/p>\n

Making tapestries in the workshop of the Arts and Crafts Company<\/em>, 1966<\/p>\n

Recorded by M\u00e1ria Szikl\u00e1s (MTI)
\nMTI Ltd. Photo Archive
\n12 August 1966. J\u00e1nosn\u00e9 R\u00e1bai and \u00c9va Szentgy\u00f6rgyi weave tapestry of Endre Domanovszky<\/p>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_column_text]We look into the influence exercised by No\u00e9mi Ferenczy, into the genre of woven tapestry and batik tapestry, their role in cultural politics, and the industrial and commercial background behind them. The subject matter, as well as the function of the pieces make it unavoidable to consider some of the issues surrounding contemporary architecture. The growing interest in tapestry at the time these pieces were created was closely linked to the need to decorate modern public buildings. While public commissions were to serve the purpose of direct or indirect propaganda, the pieces created on the artists\u2019 own initiative also conveyed a similar spirit. The group of works depicting the achievements of modern architecture, urban planning and engineering (Ibolya Juris, Katalin Prepelicza, \u00c9va Pint\u00e9r), in a broader sense advertised the utopia of building socialism. The motif of Ir\u00e9n Szupp\u00e1n\u2019s tapestry can be seen as parallel with the questions of contemporary architecture (the so-called \u201ctulip controversy\u201d): the criticism of modern architecture and the question of the reinterpretation of folk motifs in the 1970s already marked the beginning of a new era. The exhibition Architecture and Tapestries<\/em>, held at the Association of Hungarian Architects in 1977, is the last thematic unit of our exhibition, and the documents on display here testify to the ambition of artists in both fields to work more closely together.[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_single_image image=”23953″ img_size=”full” add_caption=”yes” qode_css_animation=””][vc_column_text]<\/p>\n

Katalin Prepelicza (1930\u20132014)<\/p>\n

Construction on the Val\u00e9ria estate (Val\u00e9ria estate, Construction),<\/em> 1959-1960<\/p>\n

weaved, wool<\/p>\n

BTM Museum Kiscell – Municipal Gallery<\/p>\n

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\u00c9va Pint\u00e9r (1932\u20131995)<\/p>\n

Shipbuilders (Red Ship),<\/em> cca 1960<\/p>\n

weaved, wool<\/p>\n

BTM Museum Kiscell – Municipal Gallery<\/p>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_column_text]The fact that these pieces found their way into the museum, attests to the gradually changing concept of the fine art collection, re-established in 1959. Originally, the aim was to document the socialist development of Budapest, using contemporary art, but already at the beginning of the sixties, the scope of collecting expanded considerably. The Budapest exhibit would have been unimaginable without the monumental genres: public sculptures, interior and exterior decorations of buildings, or even representative tapestries. The first director of our collection, Vilmos Bertalan, a reviewer of applied arts at the Lectorate of Fine and Applied Arts, was an ardent supporter of the tapestry genre, so it is no wonder he went to great lengths to get the good pieces. The textile works in the focus of the present exhibition were acquired largely thanks to his efforts. There are two exceptions: the works of M\u00e1ria T\u00fary and Ir\u00e9n Szupp\u00e1n, acquired in 1979, which already point in the direction of creating a collection that goes beyond the topic of urban history and is of national importance.[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_single_image image=”23985″ img_size=”full” add_caption=”yes” qode_css_animation=””][vc_column_text]<\/p>\n

Ibolya Juris (1923\u20131997)<\/p>\n

Construction,<\/em> 1970<\/p>\n

batik, canvas<\/p>\n

BTM Museum Kiscell – Municipal Gallery<\/p>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_column_text]While becoming included in a public collection is certainly a sign of recognition for the artist, there is no guarantee that a piece will continue to be valued in the future. The names of the artists exhibited here have been largely forgotten, their works have now disappeared from public view, and they have been left out from art historical summaries: they got taught in a vacuum between the work of the renowned painters and tapestry designers of socialist modernism and the large-scale narrative of avant-garde spatial textiles, a trend that started in the 1970s. While No\u00e9mi Ferenczy became an undisputed part of the art historical canon with this borderline genre between painting and applied art, her students were relegated to the realm of applied art. The museological status these pieces held until very recently indicates their outsider position with unusual clarity. All of them were kept in a collection unit of secondary importance, reserved for the decoration of the capital\u2019s cultural centres, offices of political parties and other public institutions. They have only recently become part of the core material of the Municipal Gallery.[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_single_image image=”23988″ img_size=”full” qode_css_animation=””][vc_column_text]<\/p>\n

M\u00e1ria T\u00fary (designer), Erzs\u00e9bet Arat\u00f3 (weaver)<\/p>\n

Friendship (Solidarit\u00e9),<\/em> 1968<\/p>\n

weaved, wool<\/p>\n

BTM Museum Kiscell – Municipal Gallery<\/p>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][vc_single_image image=”24005″ img_size=”full” qode_css_animation=””][vc_column_text]<\/p>\n

Ir\u00e9n Szupp\u00e1n (1926\u20132016)<\/p>\n

Tulip,<\/em> 1970<\/p>\n

khand painting, embroidery, knotting, hemp, wool, cotton, synthetic fiber, string, plastic beads<\/p>\n

BTM Museum Kiscell – Municipal Gallery<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][vc_text_separator title=”K\u00c9PGAL\u00c9RIA” border=”no”][vc_separator type=”transparent” up=”20″ down=”20″][vc_gallery type=”nivo” interval=”3″ images=”24171,24174,24177,24180,24183,24186,24189,24192″ img_size=”full”][vc_separator type=”transparent” up=”20″ down=”20″][vc_column_text]<\/p>\n

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Enteri\u0151rfot\u00f3k: Szebell\u00e9di Attila \/ Budapesti T\u00f6rt\u00e9neti M\u00fazeum<\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”20″][vc_separator type=”transparent” up=”20″ down=”20″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”normal” up=”20″ down=”20″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”23961″ img_size=”medium” alignment=”right” qode_css_animation=”” el_class=”nagyitas”][\/vc_column][vc_column width=”3\/4″][vc_column_text] On Several Strands. Textile works from K\u00e1d\u00e1r era [\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”25″][vc_column_text] 25 October 2024 \u2013 31 March 2025 Curator: Enik\u0151 R\u00f3ka Consultant Curator: G\u00e1l Csaba Location: Location: BTM Museum…<\/p>\n","protected":false},"author":7,"featured_media":23972,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nStorage Break! 3. \u2013 On Several Strands - F\u0151v\u00e1rosi K\u00e9pt\u00e1r<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Storage Break! 3. \u2013 On Several Strands - F\u0151v\u00e1rosi K\u00e9pt\u00e1r\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”23961″ img_size=”medium” alignment=”right” qode_css_animation=”” el_class=”nagyitas”][\/vc_column][vc_column width=”3\/4″][vc_column_text] On Several Strands. Textile works from K\u00e1d\u00e1r era [\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”25″][vc_column_text] 25 October 2024 \u2013 31 March 2025 Curator: Enik\u0151 R\u00f3ka Consultant Curator: G\u00e1l Csaba Location: Location: BTM Museum...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/\" \/>\n<meta property=\"og:site_name\" content=\"F\u0151v\u00e1rosi K\u00e9pt\u00e1r\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-20T16:53:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg?_t=1737392016\" \/>\n\t<meta property=\"og:image:width\" content=\"998\" \/>\n\t<meta property=\"og:image:height\" content=\"998\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/fovarosikeptar.hu\/#website\",\"url\":\"https:\/\/fovarosikeptar.hu\/\",\"name\":\"F\\u0151v\\u00e1rosi K\\u00e9pt\\u00e1r\",\"description\":\"Kiscelli M\\u00fazeum\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/fovarosikeptar.hu\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg\",\"contentUrl\":\"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg\",\"width\":998,\"height\":998},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#webpage\",\"url\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/\",\"name\":\"Storage Break! 3. \\u2013 On Several Strands - F\\u0151v\\u00e1rosi K\\u00e9pt\\u00e1r\",\"isPartOf\":{\"@id\":\"https:\/\/fovarosikeptar.hu\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#primaryimage\"},\"datePublished\":\"2025-01-17T11:15:50+00:00\",\"dateModified\":\"2025-01-20T16:53:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/fovarosikeptar.hu\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Storage Break! 3. \\u2013 On Several Strands\"}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Storage Break! 3. \u2013 On Several Strands - F\u0151v\u00e1rosi K\u00e9pt\u00e1r","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/","og_locale":"en_US","og_type":"article","og_title":"Storage Break! 3. \u2013 On Several Strands - F\u0151v\u00e1rosi K\u00e9pt\u00e1r","og_description":"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/4″][vc_single_image image=”23961″ img_size=”medium” alignment=”right” qode_css_animation=”” el_class=”nagyitas”][\/vc_column][vc_column width=”3\/4″][vc_column_text] On Several Strands. Textile works from K\u00e1d\u00e1r era [\/vc_column_text][vc_separator type=”transparent” up=”20″ down=”25″][vc_column_text] 25 October 2024 \u2013 31 March 2025 Curator: Enik\u0151 R\u00f3ka Consultant Curator: G\u00e1l Csaba Location: Location: BTM Museum...","og_url":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/","og_site_name":"F\u0151v\u00e1rosi K\u00e9pt\u00e1r","article_modified_time":"2025-01-20T16:53:36+00:00","og_image":[{"width":998,"height":998,"url":"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg?_t=1737392016","path":"\/home\/fovarosi\/public_html\/wp-content\/uploads\/2024\/10\/prof.jpg","size":"full","id":23972,"alt":"","pixels":996004,"type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/fovarosikeptar.hu\/#website","url":"https:\/\/fovarosikeptar.hu\/","name":"F\u0151v\u00e1rosi K\u00e9pt\u00e1r","description":"Kiscelli M\u00fazeum","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/fovarosikeptar.hu\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#primaryimage","inLanguage":"en-US","url":"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg","contentUrl":"https:\/\/fovarosikeptar.hu\/wp-content\/uploads\/2024\/10\/prof.jpg","width":998,"height":998},{"@type":"WebPage","@id":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#webpage","url":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/","name":"Storage Break! 3. \u2013 On Several Strands - F\u0151v\u00e1rosi K\u00e9pt\u00e1r","isPartOf":{"@id":"https:\/\/fovarosikeptar.hu\/#website"},"primaryImageOfPage":{"@id":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#primaryimage"},"datePublished":"2025-01-17T11:15:50+00:00","dateModified":"2025-01-20T16:53:36+00:00","breadcrumb":{"@id":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/fovarosikeptar.hu\/en\/storage-break-3-on-several-strands\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/fovarosikeptar.hu\/en\/"},{"@type":"ListItem","position":2,"name":"Storage Break! 3. \u2013 On Several Strands"}]}]}},"_links":{"self":[{"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/pages\/24239"}],"collection":[{"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/comments?post=24239"}],"version-history":[{"count":3,"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/pages\/24239\/revisions"}],"predecessor-version":[{"id":24246,"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/pages\/24239\/revisions\/24246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/media\/23972"}],"wp:attachment":[{"href":"https:\/\/fovarosikeptar.hu\/en\/wp-json\/wp\/v2\/media?parent=24239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}